25 April 2011

Ladytron - The Commodore Ballroom, Vancouver, 2003



Format: MP3, 320 kbps CBR
Note: high quality recording

Track listing:
01. True Mathematics
02. Playgirl
03. Another Breakfast With You
04. Cracked LCD
05. Blue Jeans
06. He Took Her to a Movie
07. Fire
08. Black Plastic
09. Evil
10. USA vs. White Noise
11. Seventeen
12. Discotraxx
13. Turn It On
14. The Way That I Found You
15. Oops Oh My

Download

Chaos Control interview (2006)

The following is an interview with Daniel Hunt of Ladytron. It was conducted on Saturday, 15 April 2006, the day after Ladytron kicked off their North American tour with a show in Washington DC. The band returned late last year with their 3rd album, "Witching Hour," and recently released a new EP/DVD, "Extended Play."

The US tour just kicked off in DC – how did that show go?

It was good. The last time we played DC I think it was about 3 shows in, and it was in the middle of a blizzard. It was a bit better this time. The weather was good, and we sold out.

What can people exact from this tour?

We played live a lot after that last US tour. In fact we were touring for about another 8 months. I think it's a lot more powerful now. It's definitely progressed, the live show.

Have you made any major changes in terms of live set-up or instrumentation?

Not really, it's exactly the same as it was last time, it's just that there's a guitar as well. I play guitar and keyboards. That's the only addition. There's 8 synths on stage, and one guitar, if that gives an indication.

Have you added guitar to songs that in the past were performed on just keyboards/synths?

Just on a couple of songs where it made sense. The way we record, there are loads of guitars on all the records. But when we didn't have a guitar with us, we'd approximate with synth going through a bunch of delays or something. So we just use whatever is appropriate. We're not purists, at all. The bands that we like are not afraid to use whatever instrument works. A guitar, when you feed it through a few pedals, is just a sound generator, really. Using a guitar doesn't mean it's going to become kraut rock or Oasis or something.

Can you talk about the new "Extended Play" EP?

The EP was done because the label wanted something to put out while we were on tour. So we did some exclusive mixes for it, and released some that hadn't been out before. We also put together a DVD, which is the "Sugar" and "Destroy" videos and this film we made when we toured in China. A mini documentary.

And "Witching Hour" just came out on vinyl?

Yeah, we always think all our records should be released on vinyl. It was always intended. It's just that the label wanted to tie it together to when we came to tour. It seems to be pretty standard now to release something on vinyl after it comes out on CD. But as long as it comes out on vinyl eventually we don't care.

What was the reason for switching labels, from Emperor Norton to Ryko?

We've switched labels about 7 times since we started! We've been in this long enough … it's kind of irrelevant. The most important thing is the team around you and the people you work with day to day at whatever label it is. Ryko is good at the moment, because a lot of them are Ladytron fans. So they've been very enthusiastic.

The music industry has changed so much over the past decade or so – what do you think has been most effective in terms of getting the word our about Ladytron? The internet? Radio? Club Play?

I don't know. The internet has definitely had an effect, especially in between albums. There seems to be twice as many people into us than last time, even though we didn't do anything in between. The best way for people to hear the record is the radio or online. Myspace is really good for bands. We've only been on that for the past 6 months. Things have changed a lot in 5 years even. Something like Myspace, there's probably going to be a point where it gets saturated and possibly useless, but it's good for the band. Things aren't being forced down people's throats. It's not like a record company making some big Flash animation site or sending a lot of unsolicited stuff out. The fact that it's actually people networking around the band, on their terms, it brings them closer to the band in a way. I think that's really cool.

What are your thoughts about online music distribution?

As far as file sharing, that debate is dead now. It exists, and everyone does it. There's a certain naivety about who it actually affects … some people are adamant that it doesn't affect the bands, that it only affects the labels. Which really isn't true. Because there are now legal downloads as well, people really do now have a choice. If someone doesn't spend any money on music, there are other ways to support a band. Going to a show, etc. If someone does want to spend money on music, but doesn't want to go out and buy cds, they can instead go to iTunes of whatever. At least they have a choice. And if they like a band, it's not like the only way they can support them is by going into a store a buying a record. Because it might not even be available where they are. We've played places in the world where none of our records have been available, and the only way to get them is to illegally download them. And then you go and play a sell-out show, and everyone knows all the material. That's amazing. It wasn't possible even five or six years ago.

Some people see it as bringing back the single. Have you considered releasing individual tracks between albums?

Yeah, we might possibly do that. You could put a track out as an individual release, and that's very easy to do now. It's not like you have manufacture and distribute them. I still think that we consider ourselves an album band.

All three of your albums sound a bit different from each other. Do you think it's a natural thing, or do you intentionally set out to give each release a fresh edge?

It's evolved naturally because we were playing the tracks from Light and Magic live for a year. And when we were playing them live, they became heavier and more dynamic. We were playing them with live bass, and live drums triggering sounds. And by the end, it got to the point where we were like 'if we were recording the album now, this is what it would sound like.' Rather than it be kind of a bedroom production. We ended up finishing in a studio with a producer, but that's what it started off as. So this album, it was just a natural thing where as we were working on it we were aware of things that we weren't aware of before. Just from playing live so much. Also, we felt like we had the freedom to make the record we were capable of, rather than the record people expected. Our label in the UK, when they got the demos they were like 'oh, we know you want to make the big opus or whatever, but can't you just make Light and Magic 2 first?' I think you can do more for the reputation of the band by making each successive record different. There are a lot of bands who get big by doing the same thing over and over again, but we don't want to do that. We want to be successful by making the music we're inspired to do. Rather than what people who don't actually like music very much want.

What are your plans for after this tour? When can we expect the next release?

Well we've already started to work on stuff for the next record. 'Witching Hour' was delayed for a year, between recording and release. We don't want to have a big break again this time. We want to just be on the way with this record. At some point we'll have a break from touring 'Witching Hour' and we'll go record maybe half of it. And then hopefully get the next record out pretty quickly. Early next year, hopefully. Rather than wait so long again.

Source

20 April 2011

Format Magazine interview (2008)

Helen Marnie, one-fourth of the universally respected electro-pop group Ladytron, makes a good point when she discusses the perks of a slow-building fan base. "I think some bands are hyped far too much initially, and therefore they feel the pressure to have the same success with their next album."

While Ladytron has certainly seen their share of hype in the past few years, the hype did build slowly, giving the creatively daring group plenty of time to plant their roots. These roots have allowed them to believe in the kind of music they want to produce – not what a label or current musical climate might ask them to – which has resulted in sounds that are not just momentarily fresh, but perpetually so. Read on as we catch up with Marnie about the process behind Ladytron's latest album, Velocifero.

All four of you had musical careers before joining together as Ladytron. What were you up to in those days?

Actually, the only one of us that really had a career based in music was Danny [Hunt]. He ran a club night as well as his own indie label called Invicta Hi-Fi. Mira [Aroyo] and Reuben [Wu] used to DJ occasionally, but it was more of a fun thing. I was still at university studying music when I met Danny. After that I just took on a few odd jobs to get me by and about a year or so after I left [university], Ladytron became more of a full time thing.

It's been several years since you first started making music together, and for the greater part of those years you've been really successful. Do you miss anything about the excitement of the beginning, or has settling into your careers been a greater reward?

We're more experienced now, so I guess know what we want. The music industry has changed substantially since we started and we've had to take note and adapt to it, and have learned a lot about the industry along the way.

We still get excited about doing certain gigs, otherwise there would be no point in being in a band. We've been together for quite some time now so I think we know each other far better, which makes touring and working together a lot easier.

Aside from playing roles in the actual instrumental of the band, what would you say that each of you contributes uniquely and creatively to the direction of your sound?

Obviously the voices are very important to Ladytron; we've two very different styles and techniques that work well together and also individually. We all write, each member having different ideas and influences, which in turn makes a more-well rounded album, diverse yet coherent.

Your album before this year's Velocifero, Witching Hour, really marked a shifting point in your sound – a lot of critics excitedly described it as a leaps-and-bounds evolution from your previous albums. In what ways do you think Velocifero continued that evolution – or didn't it?

I think if you listen to both albums consecutively then you can hear the natural progression. Witching Hour sounds the closest to Velocifero.

When we first started out we were still learning how to produce and promote our sound on the live stage. The amount of touring we were doing before and during Witching Hour really contributed to the feel of Velocifero. It's punchy, dynamic with infectious beats, but retains a distinctive Ladytron sound – the warmth of the synths and floaty vocals.

What are some of the things that were influencing you during the writing and recording phases of Velocifero?

It's always very difficult to say what influences you as a songwriter, as you're not actually aware of one particular thing at the time.

For me, I'm influenced by personal things that go on around me – people, places, thoughts and feelings, reminiscing but also looking forward – I think that's why there are so many moments of light and dark on the album. I love the softness of certain female vocals such as Nancy Sinatra, but have also recently been drawn towards more recent folk artists such as Bon Iver and Laura Marling.

Some of your lyrics seem to hold references to Paganism. Am I right in observing that?

Nope. Afraid not. We never actually like to discuss our lyrics in depth, we prefer to let the listener conjure up their own images and let songs be personal to them.

As Ladytron has become more and more successful, do you feel more pressure to keep your sound in the comfortable realm of what you know your fans will continue to like, or do you fully bow to your creativity?

We have never felt any pressure to stay the same, or please anyone in particular. All we want to do is make music that satisfies ourselves. I think some bands are hyped far too much initially, and therefore they feel the pressure to have the same success with their next album.

As electronic artists, what are your thoughts on the remix? Do you tend to think of them as a derivative of the main track or something that can take on artistic merit of its own?

It depends. Remixes can be great, and some can just be miserable. It often depends on the song to begin with; sometimes a gem can be created, other times a monster.

This is a really extensive tour, where will you be heading next, and what are you crossing your fingers to experience this time around?

This tour has been so long. I'm just looking forward to putting my feet up over Christmas and seeing friends, family, and my dog. We're in Scandinavia right now, and in five days we wrap this year up in Oslo. It's been great, but we need time off to refresh for 2009. Tonight we are sold out in Stockholm, so it should be fun, and we're on in less than an hour, so I better put my makeup on.

Source

19 April 2011

Ladytron - BBC 6Music Hub Session, 2008

Format: MP3, 160 kbps CBR

Track listing:
1. Interview
2. Ghosts
3. Interview
4. Runaway
5. Interview

Download

18 April 2011

Ladytron - Exit Festival, 2005

Content: Evil (excerpt) / Blue Jeans / Sugar / He Took Her To a Movie / Playgirl / International Dateline / Fighting in Built Up Areas (excerpt)

Contact Music interview (2005)

Contact Music spoke to Liverpool based Ladytron member Helen Marnie about the new release of their album and all the up and coming festival dates!

Hi how are you?

Not too bad thank you!

I just want to know where have you been since "Light and Magic"?

We went to China and Liverpool. We've also come back from a festival in Berlin, and did a small tour of England and Scotland. Last night we played at the ICA. We've also finished the new album.

Onto the new album, it's your third and is due for release in August. Are there any songs on the album that sum up how you feel about it?

All of the songs are about feelings, the album is really diverse. There isn't just one song that explains our thoughts. Its more diverse than the other two albums, every song is very different and we approach them in very different ways. It's a lot darker than the other albums.

Do you have any favourite songs on the album?

I appreciate each one. "Sugar" is our first single and I love it, "International Deadline" is my favourite at the minute – they all do different things.

How was your time in the studio?

It was really good fun, it didn't take very long to record! But because of technical difficulties, it's taken longer to release. It was actually finished last September, and then we had a gap in recording. We recorded it in Liverpool because Reuben lives there. We had friends around which was cool!

Every album has been more progressive and collaborative; this is the most collaborative up to date. We worked with the guys behind Kasabian and Placebo. They were good fun to work with! They have a lot of gadgets and toys, we like that! They pushed us further, they'd be like let's try this and we'd give it a go. They would make us do things we didn't want to try!

So are the British audience going to like your new album?

I hope so!

Do you think you have loyal fans?

We have a very loyal fan base! You can really see that too because despite us not releasing anything for ages, our gig in Brighton sold out! We didn't even have any press.

Have you recognised anyone in the crowds?

Yeah, there's a guy called Craig, who I don't know what he does for a day job but he follows us around everywhere! He's been from New York to Australia.

Do you think you resemble anyone?

No just ourselves. It's really difficult to group our music with others. Whenever we do a song, we just approach it in our own way and do what we can! It's for other people to say! The first two albums were niche like, so it was easier back then.

You said you've just finished a short tour; do you have any festivals planned this summer?

Yeah, we're playing the Wireless Festival in Hyde Park and we're headlining the Reading and Leeds Festival. We're also going to be playing in Kings Cross the same weekend as Leeds. We have all sorts of European Festivals.

What could we expect from a Ladytron live show?

A cannonball! Tigers, fighting, visuals and some new songs. Live we play with the four of us plus a drummer and a bass player, it's probably a harder sound live than what you would hear on a record. The live show is more extreme.

Do you have any favourite venues?

We played in an amusement park in China which had miniature landmarks from all over the world! On the concrete Arc de Triumph there was a huge Ladytron poster – that was quite funny to see. We played at an exhibition of our friend's in Liverpool which was part of the Summer of Love. He had these crazy wallpapers; it was weird playing at an art show!

To end this I just want to know what's next for you guys?

We're going to be doing some recording sessions for radio stations; we'll also be shooting the next video and then rehearsing a bit more! Just festivals throughout the summer really!

I'd like to thank you for talking to us.

Ok thank you too!

Source

17 April 2011

Battery in Your Leg interview (2008)

I don't even know if it is possible to convey how THRILLED I was at the opportunity to interview Ladytron. Specifically, vocalist Helen Marnie. I've been a fan of this band ever since I purchased the Commodore Rock EP, and have been consistently impressed with every new album. Yes, I realize I didn't actually get to talk to her and this was all over email, but stop trying to rain on my parade, alright?

The band's winning streak looks to continue with their latest album, Velocifero, due out in the US on June 3rd.

Have you always wanted to be in a band? What did 8 year old Helen want to be when she grew up?

When I was a kid I either wanted to be an actress, a model, or a singer... Of course, when you realize you'll never grow past 5'6″ that's one dream shattered. Then, after a few drama classes I realised I wasn't the best of actresses either. After university I just fell into the band thing. It was a chance meeting, and next thing I know I'm in Ladytron. I guess it was what fate had in store for me.

A lot of the band's influences are fairly well-known – Roxy Music, My Bloody Valentine, etc. What bands & singers have most directly influenced you as an individual?

I always find this question really difficult to answer because obviously over the years there is so much stimuli which makes it hard to decide who or what influenced you the most. I think I've probably been most influenced by dreamy female vocalists from different eras and genres. Ranging for the operatic queen that was Maria Callas to the unusual vocal styles of Kate Bush and Joni Mitchell.

This album feels 'heavier' than any other you've done. Was that a concious decision or more a natural byproduct of working with Alessandro Cortini & Vicarious Bliss?

I think Velocifero feels heavier because with Witching Hour we realised more how we wanted to sound, and we just developed on that and took it to another level for album number 4. Also, having toured Witching Hour for 2 years the live show influenced us alot. We were always striving to make songs hit the audience harder. When we finally finished touring Witching Hour we had 1 day off before going into the studio to record Velocifero. All the songs were pretty much together by the time Alessandro and Vicarious Bliss came on board, it was more a case of some additional production.

I've always found myself quite taken with the photographs of the band that coincide with the release of an album. How important is style & image for you?

Obviously when you release an album it is quite important to coincide it with a fresh set of press shots, which make it all the more exciting. Every band wants to look their best at this stage, and we are no different. We like to keep our stage gear separate to what we wear everyday, it makes the clothes more special and unique to the gig experience.

How do you decide who will take vocal duties on a track? Or do the tracks themselves tend to dictate the singer?

Generally we know who will take lead on a certain track, and in which language it will be sung. Bulgarian is a very rhythmical language and works well on certain tracks. The diction also has alot to do with it. Also, our vocal styles are very different and i think they compliment each other when they come together.

Speaking of vocals, I couldn't help but notice the male singer on 'Versus'. Is that Daniel or Reuben? Or someone else entirely?

Danny sings on Versus. At the moment it's one of my favourite tracks to listen to on the album. I'm looking forward to singing it live, as I think it'll be fun dueting with Danny.

So far 'Tomorrow' & 'Runaway' seem to be my absolute favorites this time out (though it changes every time I listen). Are there any specific tracks that you're especially proud/fond of on this one?

Apart from Versus I'm also really enjoying 'Runaway' and 'Ghosts' at the moment. But really, I am very happy with all the songs on the album.

To this day, I can walk into a club and hear 'Playgirl' or 'Seventeen' or 'Destroy Everything You Touch' and EVERYONE will immediately run to the floor to dance. Given the sometimes fickle nature of music lovers, does the incredible 'shelf life' of your albums ever surprise you?

It's totally flattering when you hear stories like this. In some ways it surprises me, but then I also realize the dancability of these tracks. Having toured alot since we released Light and Magic you also find out which tracks get people moving and Destroy Everything you Touch is one example of a crowd pleaser. What really amazes me though, is when you go to a country where the albums haven't even been released and the crowd knows every word to every song. I can hear them louder than I can hear my own voice. We have a very loyal fanbase, and I think the fact we've never really been hyped or gone mainstream pleases people. It's like we still belong to them.

And of course, because I live in Arizona I have to ask – when can we expect to see you again? We know it's hot but we're very fond of you!

I think we've actually only played Arizona once, but it was a great gig. I remember the beautiful red sky at night and partying with CSS as it was our last night touring together. Unfortunately I don't think we'll be hitting Arizona on this leg of the tour, but we will be back to the US very soon for the second installment... so watch this space.

Source

The Telegraph interview (2002)

In a league of their own

They've been likened to the Human League, but synth-pop band Ladytron are a far more sophisticated proposition, says Andrew Perry
5 December 2002

It's been a terrible year for dance music. The revolution promised by acid house 15 years ago, where boring old guitars would be swept out of the charts by an exciting new world of electronic machinery, seems to have finally petered out. The superclubs are deserted as the same ageing DJs creakily endeavour to wind up the dancefloor to an all too familiar beat.

One fresh sound did arrive. Known as "electroclash", it was concocted by a handful of remixers from Berlin, and a tiny underground scene in New York centred on the duo Fischerspooner. They took their version of Kylie's "Come Into My World" into the pop charts, but when they brought their "live" performance to the UK in the summer, it was a glorified fashion show - a clumsy one at that - and all the music was pre-recorded. It almost felt like the end of the road.

Against this sorry landscape, a new album called Light & Magic by the British group Ladytron is a ray of sunshine, bringing both pop pizzazz and intriguing complexity to a wilting genre. On the surface, it may not sound a million miles from the electroclash agenda - 1980s synth-pop, updated with contemporary technology - but there's a greater sophistication at work here, on practically every level.

By existing outside the dance fraternity, the quartet have developed an identity of their own, based on the intriguing sexual frisson in their two boy/two girl line-up and their interest in songwriting traditions which extend back far beyond those of their peers.

It all began in Liverpool. Keyboard fanatics Danny Hunt and Reuben Wu were friends at college there when, in about 1997, they first started using the name Ladytron - an old Roxy Music song title. A year or two later, their two singers, London-based Helen Marnie, and Mira Aroyo, who was doing a PhD in genetics at Oxford, came into the picture. Their story of exactly how that happened varies from interview to interview - was it a chance meeting on a train in Mira's parental homeland, Bulgaria, or via the internet? When I ask them what the truth is, as their tour bus calmly eats up the miles between gigs in Glasgow and Edinburgh, they blush a little and say that they prefer these romantic possibilities to the mundane reality.

Inspired by the discrepancies in their tastes as much as the similarities, they began writing together during free weekends on Merseyside. They released a string of singles on Invicta Hi-Fi, an independent label co-run by Hunt, and followed these in 2001 with a DIY debut album, 604, disturbingly named after the world-threatening virus in the movie The Andromeda Strain.

Its marriage of analogue synthesizers, state-of-the-art programming and outrageously hummable pop tunes was equally unconventional, as was the playful interchange of Helen's seductive vocals coo and Mira's harsher, deadpan sound.

"There wasn't stuff like this being done in Liverpool at the time", says Aroyo with some understatement. "Liverpool comes out of this Teardrop Explodes/Beatles culture, and everyone wants to be in that mould. We just tried to bring through something different. We use a mixture of 1980s and 1970s synths, and also computer programmes that weren't around at that time, so you wouldn't have been able to make our music then".

Their idiosyncrasy came across in the lyrics, too, which were anything but the usual hedonist mantras or "I love my robot" retro-futurism spouted in most electronic music. Theirs suggested unusual sexuality, strange love triangles, and, on "The Way That I Found You", an obsession about someone spotted in the crowd at a women's tennis match.

All this was feverishly lapped up by the music press, but, as with all the most interesting pop music, people had trouble finding a pigeonhole for Ladytron. Were they Kraftwerk meets Blondie? A weirder Saint Etienne, maybe? The Human League reborn in the age of girlpower? None of these really hit the mark, and the confusion deepened when they were more likely to be found glamming up an afternoon's billing at the Reading Festival in their stage uniform of black catsuits than swanning around at the Ministry of Sound.

If Ladytron had actually wanted to fit in, the perfect chance came earlier this year when they could easily have jumped into bed with the electroclashers by signing to the trendier-than-thou label City Rockers. They chose not to.

Perhaps their most decisive act of separation from the electro fad came when they recorded the follow-up to 604. They'd already prepared some basic tracks back in Liverpool, and decided to finish them off in Los Angeles - a city almost totally devoid of electronic influence - with producer Mickey Petralia, who is best known for his work with Beck and the Beastie Boys.

"We just wanted to look at what we do in a totally different environment", says Aroyo. "We couldn't have brought anything new to it if we'd gone to Berlin or New York. Whereas people don't really make this sort of music in the sunshine. The studio had a swimming pool, so you could walk out for suntanning sessions between takes. Inside, it was black granite, black leather, black mirrored surfaces and huge cockroaches all over the place. It was decrepit sunshine, David Lynch sunshine".

The change of scenery at least partly explains why Light & Magic sounds so different from everything else. One track, "Blue Jeans", is pure techno-pop perfection, but with a thundering hip-hop breakbeat underneath it. As Danny Hunt rightly points out, "I don't know how anyone could hear that and still say that we sound like The Human League.

"You write a song that's basically inspired by Nancy Sinatra and Lee Hazlewood, and people still think you're Kraftwerk. People find it hard to get beyond the sound of the keyboards".

What really separates Ladytron from the pack is the substance in their songs. In terms of structure, the band draw from all kinds of classic pop and rock. During our conversation, countless names crop up from the non-electro field - the Supremes, Britney, Phil Spector, Can, Nick Cave, Dolly Parton, Donna Summer, even Black Sabbath, whose classic "Paranoid" regularly features in Aroyo's solo DJ sets.

They're loath to reveal what the lyrics are actually about, because they're mostly about relationships all too close to home, and anyway, they like the idea of a pop lyric being a blank screen for the listeners to project their own meaning on.

"What they're not about", says Mira, "is space-age travel and riding in limousines. All that may be fun, but it's not something that we can relate to in a song. There's a lot of humanity in there. It's not this robotic, cold, icy thing".

To remind them to steer clear of that sort of thing, they pinned up the sleeve of Gary Numan's album The Pleasure Principle on the studio wall.

"It was a sign of where not to go", Aroyo chuckles. "I like some Tubeway Army songs, but we all respond to things that are warmer and have humanity to them".

"We heard that Gary actually wanted to meet us, but we didn't want to talk about planes, or hairpieces. We didn't meet up".

Source

Ladytron - La Maroquinerie, Paris, 2008

Discotraxx





Ghosts





Playgirl

16 April 2011

Ladytron lyrics

Here are the lyrics of all Ladytron songs. For Marnie lyrics go here.









Ladytron - 604

604


Mu-Tron

[Instrumental]
top


Discotraxx

[Bulgarian lyrics]

Prez gorite, prez poliata,
Pod zvezdite, nad zhitata

I know her, used to follow everywhere we'd go
And it's so sweet, now she's sleeping with a boy I know
The boy I know, knows a pretty girl in every town
And the way they look, they were made to let each other down

She got her face from the same house where she stole her clothes
On the same street, there's a dance hall where nobody goes
Four to the floor, stealing cigarettes of '90s ghosts
And then at Christmas time, 'till we exceed the recommended dose

Prez gorite, prez poliata,
Pod zvezdite, nad zhitata
Shte patuvat prez noshta,
Risuvat prez denia i shte spiat do obed
Viatarat gi bruli na srebaren MZ
I shte piat gorski chai ot zlaten samovar
Litsata im greiat s ognenen zagar.
Prez gorite, prez poliata,
Pod zvezdite, nad zhitata
Shte patuvat prez noshta,

I know her, used to follow everywhere we'd go
And it's so sweet, now she's sleeping with a boy I know
The boy I know, knows a pretty girl in every town
And the way they look, they were made to let each other down


[English translation]

Through the forests, through the fields
Under the stars, above the wheats

(I know her, used to follow everywhere we'd go)
(And it's so sweet, now she's sleeping with a boy I know)
(The boy I know, knows a pretty girl in every town)
(And the way they look, they were made to let each other down)

(She got her face from the same house where she stole her clothes)
(On the same street, there's a dance hall where nobody goes)
(Four to the floor, stealing cigarettes of '90s ghosts)
(And then at Christmas time, 'till we exceed the recommended dose)

Through the forests, through the fields
Under the stars, above the wheats
They will travel through the night
They paint during the day and sleep until noon
The wind burns them on a silver MZ
And they will drink forest tea from a golden samovar
Their faces shine with a fiery tan.
Through the forests, through the fields
Under the stars, above the wheats
They will travel through the night

(I know her, used to follow everywhere we'd go)
(And it's so sweet, now she's sleeping with a boy I know)
(The boy I know, knows a pretty girl in every town)
(And the way they look, they were made to let each other down)


Notes: The lyrics in parantheses are already in English. The Bulgarian lyrics seems to be inspired from an old Bulgarian song. The "silver MZ" seems to be a reference to the MZ motorcycles.
top


Another Breakfast With You

[2x]
I don't want to fight
Just want a piece of your life
Oh, if you come out to play
I don't want you to say... anything
I didn't feel a thing when you told me that
You didn't feel a thing when I told you that
I didn't feel a thing, another breakfast with you

Did you ever fall in love?
For a quarter of an hour or above
top


CSKA Sofia

[Instrumental]
top


The Way That I Found You

Up on the stand, the society meeting
That was the way, was the way that I found you
Drunk after work, here in the late night feelings
That was the way, was the way that I found you

Sat in the crowd, watching the women's tennis
That was the way, was the way that I found you
Saw who you were, picking up from the canvas
That was the way;
I was wrapped around you, met you while you were switching on
And checked your box on the blue coupon
That was how... I... found...

Up on the stand, the society meeting
That was the way, was the way that I found you
Drunk after work, here in the late night feelings
That was the way;
I was wrapped around you
Kicked your wheel in the midday sun
And saved your place in the peloton
That was how... I... found...

Sat in the crowd, watching the women's tennis
That was the way, was the way that I found you
Saw who you were, picking up from the canvas
That was the way;
I was wrapped around you
You still don't know what I want
Picked up your book in a street kiosk
That was how... I... found...

Up on the stand, the society meeting
That was the way, was the way that I found you
Late night feelings, trying to set for the winter
To leave you this way, the way I found you
Met you while you were switching on
And checked your box on the blue coupon
That was how... I... found...
top


Paco!

[Lyrics repeated 4x]
Ground floor: ladies clothes, sportswear stationery
First floor: kitchenware, furnishings, confectionary
Second floor: children toys, back to school, many more
Fourth floor: electronic, fake antiques, and lingerie

I saw your face on the black and white screen
I knew your name from the checkout machine
You don't have to spend you just have to pretend
top


Commodore Rock

[Bulgarian lyrics]

Ti si zemen rai
A Dunav veselo shumi
Tih bial Dunav se valnuva
Veselo shumi
Eto Simeon pristiga
S negovite voiski

Haide Vaksa haide de
Triabva pak da se iade
Haide Vaksa haide de
Triabva pak da se iade

Y Simeon voevodi so zove

Mila moia rodino
Ti si zemen rai
S visoki sini plani
Reki y shirni dolini
Eto Simeon pristiga s negovite voiski

Kudeto y da si ti si zemen rai
S visoki sini planini

Veselo shumi
Veselo shumi

Y Simeon voevodi si zove

Visoki sini planini
Y ti si mila moia rodino
Ti si zemen rai
Ti si zemen rai
Y veselo shumish
Y veselo shumish

Tih bial Dunav se valnuva
Y po nego Radetski pluva
Y Simeon voevodi si zove
Veselo shumi
Veselo shumi
Visoki sini planini
Reki y shirni dolini

Kadeto y da si
Ti si zemen rai
S visoki sini planini


[English translation]

You are heaven on Earth
And Danube is babbling cheerfully
Quiet white Danube is waving
And is babbling cheerfully
Here comes Simeon
With his army

Come on Vaksa come on
We should eat again
Come on Vaksa come on
We should eat again

Simeon is calling his voivods

My precious Motherland
You are heaven on Earth
With high blue mountains
Rivers and wide valleys
Here comes Simeon

Wherever you are, you are heaven on Earth
With high blue mountains

Is babbling cheerfully
Is babbling cheerfully

Simeon is calling his voivods

High blue mountains
And you are my precious Motherland
You are heaven on Earth
You are heaven on Earth
And is babbling cheerfully
And is babbling cheerfully

Quiet white Danube is waving
And Radetski sails
And Simeon is calling his voivods
Is babbling cheerfully
Is babbling cheerfully
High blue mountains
Rivers and wide valleys

Wherever you are
You are heaven on Earth
With high blue mountains


Notes: The parts with "High blue mountains / And you are my precious homeland / You are heaven on earth" are clearly inspired by Mila Rodino, The Bulgarian anthem. The parts with Simeon are from an old revolutionary song. The parts with Vaksa ("Come one Vaksa come on / We should eat again") are probably from an old song for children. Radetski is an old Bulgarian steamship.
top


Zmeyka

[Instrumental]
top


Playgirl

Playgirl, why are you sleeping in tomorrow's world, hey playgirl
Playgirl, why are you dancing when you could be alone, hey playgirl
Playgirl, why are you sleeping in tomorrow's world, hey playgirl
Playgirl, choking on cigarettes to get you along, hey playgirl

Hey playgirl, hey playgirl
Northern lights catch you coming down
Sleep your way out of your hometown

Playgirl, why are you sleeping in tomorrow's world, hey playgirl
Playgirl, why are you dancing when you could be alone, hey playgirl
Playgirl, why are you sleeping in tomorrow's world, hey playgirl
Playgirl, choking on cigarettes to get you along, hey playgirl

Hey playgirl, hey playgirl
Northern lights catch you coming down
Sleep your way out of your hometown
Hey playgirl, hey playgirl
Northern lights catch you coming down
Sleep your way out of your hometown
Hey playgirl, hey playgirl
Northern lights catch you coming down
Sleep your way out of your hometown
Hey playgirl, hey playgirl
Hey playgirl, hey playgirl

Foreign coin on a telephone box
A question mark on a calendar
An empty seat on the alpha line
A sorting code, an account number

Hey playgirl, hey playgirl
Northern lights got you coming down
Sleep your way out of your hometown
top


I'm With the Pilots

Time in hands
With the pilots and the traveling bands
When you're down there, don't feel down and out
You have something you can smile about

Coke or gin
Why are you boys frowning, have you lost something?
The solution that you have for me
Will invalidate my guarantee

Sell something to someone you love
Not someone that you don't
Even though...

Six-oh-four
Belgian teachers and the cosmonauts
When you're down there, don't feel down and out
You have something you can smile about

Holding hands
Rocket scientists revise their plans
The solution that they have for me
Will burn me up on re-entry

Sell something to someone you love
Not someone that you don't
Even though...
top


This Is Our Sound

I can't seem to take you anywhere
We ditched your friends at Williamson Square
Where the rank and file shoot us dirty looks
Hail a taxicab, don't want to walk

The night time here is a plastic box
Gently amplifying in the basement rock
The distant tones from the detainees
Friendly girls who pack it full of these

When you're not around, this is our sound

I can't seem to take you anywhere
We ditched your friends at Williamson Square
Where the rank and file shoot us dirty looks
Hail a taxicab, don't want to walk

The night time here is a plastic box
Gently amplifying the basement rock
The distant tones from the detainees
Friendly girls who pack it full of these

When you're not around, this is our sound
When you're not around, this is our sound

When you're not around, this is our sound
This is not a song, 'cause there's nothing wrong
When the light inside is not as bright
top


He Took Her To a Movie

He met her in the fall, he took her to a movie
And when they'd done it all, he took her to a movie
And from the hospital, he took her to a movie
But so did I

And when her heart was sad, he took her to a movie
She's all he's ever had, he took her to a movie
And should their love turn bad, he took her to a movie
But so did I

I think she's been alone, he took her to a movie
When they cut off the phone, he took her to a movie
And when her cover's blown, he took her to a movie
But so did I

There's nothing on TV, he took her to a movie
But she's the one for me, he took her to a movie
We're at number three, he took her to a movie
But so did I
top

Laughing Cavalier

[Instrumental]
top


Ladybird

Once there was a young girl
But old enough to know girl
Went by the name of Ladybird

Charmed you with the one hand
And broke you in the next hand
Then she'd be gone out of your life

If you've got time (if you've got time)
And you're ever to change her mind (to change her mind)
You'll need more than a glass of wine
She's not that kind of girl

You'll never win (you'll never win)
'Cause she leaves when you think you're in (think you're in)
Doesn't care if it's her or him
She's not that kind of girl

Mornings are the cruelest
No no, no, nothing more or less
Just slept with the thought of Ladybird

Everywhere you see her
Her new possession with her
Don't warn them they're not listening to you
top


Jet Age

She caught her flight at 10am
And checked her face at Amsterdam
Oh, it's just what it's like
When you're only seen at night
She left her love somewhere at home
And now she's dancing on her own
To the kind of disco sound
That makes her glad he's not around

She's looking at you
So maybe you're looking too
Do you want to be her
Or don't you?
Of course you do
But would she be you?

He doesn't dance as good as she
Why don't you save a seat for me
As the sun came and went
From the safety of a jet
He gave Atlanta one last look
Then dropped his head inside the book
That he never gets to read
Maybe he'll just get some sleep

She's looking at you
So maybe you're looking too
Do you want to be her
Or don't you?
Of course you do
But would she be you?
top


Skools Out...

Packing her bags, they left the sailor girl
When she returned to find that she could love no one
Meeting her way through cheap bar and cafe
Expecting to see the same sour faces there, why not

Oh yes, they'll do
School's out for me, school's out for you
School's out and it might be true
School's out for me, school's out for you
School's out, I'll be nice
School's out for me, school's out for you
Swallow all our bad advice
School's out for me, school's out for you
School's out

Packing his bags, they loved the Tesco boy
When he returned to find that he could love no one
He stayed away through salons and musics
There's still a ground in her up to the years, why not

Oh yes, they'll do
School's out for me, school's out for you
School's out and it might be true
School's out for me, school's out for you
School's out, I'll be nice
School's out for me, school's out for you
Listen to our bad advice

School's out for me, school's out for you
School's out, please behave
School's out for me, school's out for you
You don't want a English name
School's out for me, school's out for you
School's out, I'll be nice
School's out for me, school's out for you
Swallow all our bad advice
School's out for me, school's out for you
School's out
top



Ladytron - Light & Magic

Light & Magic


True Mathematics

[Bulgarian lyrics]

[Lyrics repeated 2x]
Sluntseto presicha tiahnata daga,
Na piasaka risuvat, blestiashta svetlina.

Iz grada te tichat,
Tuk tame nadnichat,
Burzo se oblichat,
Pogled ne privlichat.

Suncho gi prispiva v toploto kreslo,
Tiho shte broiat do shest-stotin i edno.

Iz grada te tichat,
Tuk tame nadnichat,
Burzo se oblichat,
Pogled ne privlichat.
[The last block is repeated once again at the end; 3 times in total]


[English translation]

[Lyrics repeated 2x]
The sun is crossing their rainbow,
They draw on the sand, shining light.

Through the town they run,
Here and there they peep,
They dress up quickly,
They don't draw attention.

Suncho puts them to sleep on the warm couch,
Quietly, they will count up to 601.

Through the town they run,
Here and there they peep,
They dress up quickly,
They don't draw attention.
[The last block is repeated once again at the end; 3 times in total]


Notes: Suncho is a Bulgarian cartoon character from a Bulgarian TV channel that sang a lullaby to the small children (the word "sun" means "dream" in Bulgarian). 601 is a reference to the movie The Andromeda Strain from 1971. There is also a Ladytron B-side named "Holiday601" which was an earlier version of "NuHorizons".
top


Seventeen


[8x]
They only want you when you're seventeen
When you're twenty-one
You're no fun
They take a polaroid and let you go
Say they'll let you know
So come on

[2x]
We only want you when you're seventeen
When you're twenty-one
You're no fun
They take a polaroid and let you go
Say they'll let you know
So come on

[4x]
They take a polaroid and let you go
Say they'll let you know
So come on
top


Flicking Your Switch

Stole your Visa card, and took a trip downtown
I don't really care that there's people around

Nine two three, eight one six, is the sound of that flicking your switch
Eight one five, one nine four, does this mean you don't trust me anymore?
Does this mean you don't trust me anymore?

I'm so happy that you're coming out to play
Now I'm only one cocaine decision away

Three six nine, two four eight, is the sound of them closing your gate
Eight one five, one nine four, does this mean you don't trust me anymore?
Does this mean you don't trust me anymore?

It's the time to head beyond the city lights
Now I don't recall there being warning signs

Nine two three, eight one six, is the sound of that flicking your switch
Eight one five, nine three four, does this mean you don't trust me anymore?
Does this mean you don't trust me anymore?

Eight one five, one nine four, does this mean you don't trust me anymore?
Does this mean you don't trust me anymore?
top


Fire

A red cell
A perfect view out of the Novotel
Sat gently listening to this song
It started over again

And the girl gets higher
The room's on fire
If you want her
Let it go

Hello

The sun went in
And it started over again

The rain came
An encyclopedia of nothing
In half-written signatures of false names
It started over again

And the girl gets higher
The room's on fire
If you want her
Let it go

Hello

The lights went out
And it started over again

A red cell
A perfect view out of the Novotel
Sat gently listening to this song
It started over again

And the girl gets higher
The room's on fire
If you want her
Let it go

Hello

The sun went in
And it started over again
top

Turn It On

[Instrumental]
top


Blue Jeans

Straight lights that cut through the scene like you wanted to
Blue jeans

Soft larks that spend all of summer buying drinks for you
Blue jeans

Left hand that crashed through your house in the ice and snow
Blue jeans

A face outside sleeping pressed against the bay window
Blue jeans

You've been trying to protect me
An insect living in your memory
Don't blue jeans won't cut at the seams like you want them to.

You won't need me to show the way now they're onto you
Blue jeans

And I won't be phoning you today unless you want me to
Blue jeans

[3x]
You've been trying to protect me
An insect living in your memory
Don't blue jeans won't cut at the seams like you want them to.
top


Cracked LCD

Cracked LCD
Cracked LCD
Cracked LCD
Cracked LCD
Cracked LCD
Cracked LCD

Back to summertime.
It was almost six months to the day.
Eyes clock to his hand.
Liquid crystals on his watch catch rays
Of morning peeking through.
Moving the pillows out of the way.
Tries to make the time.
Falls asleep with his watch on again.

Cracked LCD

He has got
Last year's summertime, the one she liked
On daylight saving time,
Hoping that the world catch up with him
Before he catches her.
It happens once a year.
She'd better run.
Was summertime for all.
Alpine retreat off the A40.

Cracked LCD
Cracked LCD

Rising out of the slopes.
Cracked LCD
Plastic snow and wooden trees surround.
Cracked LCD
She felt they had it all.
Cracked LCD
Pulling curtains over dreamy faces.
Cracked LCD
Sealing off the globe.
Cracked LCD
Waiting for a spark to start the fire.
Cracked LCD

Cracked LCD
Cracked LCD
Cracked LCD
top


Black Plastic

(Black plastic, touching black plastic)

[2x]
Someone's coming round in the evening
One touch on the face of a city
One black plastic chair with some time to spare.
Black plastic, touching black plastic.

Someone's coming round in the evening
One touch on the face of a city
One black plastic chair with some time to...
Drawing on face of a girl who is sleeping.
Black plastic chair, reaching out, making one... touch.
top


Evil

When a menthol hit, hooks a spatial girl in her summer clothes,
Like a transmission, on an empty channel, all lines are closed.
Taking photographs, speaking slowly through the permanent waves
The taste in her mouth that she read about earlier today

This is happening for your pleasure, at your leisure
Use your evil, when you want

When a menthol hit, hooks a spatial girl in her summer clothes,
Like a transmission, on an empty channel, all lines are closed.
Taking photographs, speaking slowly through the permanent waves
The taste in her mouth that she read about earlier today

This is happening for your pleasure, at your leisure
Use your evil, when you want

This is happening for your pleasure, at your leisure
Use your evil, when you want

When the night becomes, automatic sequence joining the day,
Singing something new, someone else is sliding into your way.
When a menthol hit, hooks a spatial girl in her summer clothes,
Like a transmission, on an empty channel, all lines are closed.

Got to get you off my conscience by Friday,
On Saturday I'll be wide awake, on Sunday I'm your new best friend,
On Monday learn it all again

For your pleasure, at your leisure
Use your evil, when you want.
top


Startup Chime

School holiday that she could do without,
A weekend break that slept in late.
A beach resort under a year of rain,
This is where it has to start.

When the AC hum inside your sleepy head,
Drowns the startup chime inside your heart,
Technology is there to cure yourself,
This is where it has to start

Unfamiliar brand falls from an empty shelf,
Without sounding an alarm,
The test results tell you nothing at all,
This is where it has to start.

When the AC hum inside your sleepy head,
Drowns the startup chime inside your heart,
Technology is there to cure yourself,
This is where it has to start.

The Northern Lights are just a band for hire,
Playing class reunions without end.
The test results tell you nothing at all...
Technology is there to cure yourself...
A dusty cartridge from the VCs is on the way to see old friends,
This is where it has to start
top


NuHorizons

Oblatsi prez reshetki
Kolektsii ot sulfetki
Vlakove, motoretki
Raziadeni podmetki

Klameri v ruka
Konets prez igla
Igratchki v torba
Lista vuv kosa

Oblatsi prez reshetki
Kolektsii ot sulfetki
Vlakove, motoretki
Raziadeni podmetki

Hvurlena guma
Iztrita duma


(English translation)

Clouds through bars
Collections of napkins
Trains, motorcycles
Eaten soles

Paper clips in hand
A string through a needle
Toys in a bag
Leaves in hair

Clouds through bars
Collections of napkins
Trains, motorcycles
Eaten soles

Thrown rubber
Deleted word
top


Cease2xist

High,
21st of July,
you know the thought is all wrong,
but the feeling is right.

Say,
On the 19th of May,
Turn it on close the door,
and then set to ignore.

Hey, where did you come from?
And why don't you stay where you belong?
Think, everyone that you kiss,
do they cease to exist when you stop being missed?

You live
In someone else's song.
Have you been there too long,
or not long enough?

Yes, what did you leave behind?
Another weekend expires,
with no definite signs.

Hey, where did you come from?
And why don't you stay where you belong?
Think, everyone that you kiss,
do they cease to exist when you stop being missed?
top


Re:Agents

Traffic things and power lines
Cables on the ocean floor
Traffic things and power lines
Going out to number four
There's a photo hidden on page four,
has the halo around your smile, think fast
They say, that play, that fallout is a must
Still you keep on keeping on past the kids

You're the boss from behind your eyes
With, looking for the cherry on the ice
They say, that play, that fallout is a must
Still you keep on keeping on past the kids,
and still you keep on keeping on past the kids
top


Light & Magic

The kids are free,
Now all they need is a gift from their mum and dad
They heard the tones, of Spanish phones singing in the sand

You left on the lights, is there somebody home?
Left on the lights, is there somebody home?
Left on the lights, is there somebody home?
Light and magic

You cut your hair and made a friend,
Now they're falling into you
This is the closest that you will get to them,
How do you do?

You left on the lights, is there somebody home?
Switched off your voicemail and left it alone
Left on the lights, is there somebody home?
Light and magic

Then lost some time in someone's line,
Might have just caught the storm
This is not real, but it will deal
With this thing between tonight and tomorrow...

By the beach in a one-storey building,
You're lucky if the light's not out
But, baby, now you look like a xerox of yourself

The kids are free, now all they need is a gift from their mum and dad
top


The Reason Why

Where am I
Sleeping at the console
I dreamt something
That I don't remember

Checking in
Just like any other
Signing off
Signing out forever

Your second hand
That's the reason why you're easy to drive
(The reason why)

You understand
That's the reason why you're easy to hide

My heart says yes
But I was sedated
Signing off
Checking in together

Your second hand
That's the reason why you're easy to drive
(The reason why)

You understand
That's the reason why you're easy to hide
(The reason why)

You joined a band
That's the reason why you're easy to try
(The reason why)

You understand
That's the reason why you're easy to hide
top



Ladytron - Witching Hour

Witching Hour


High Rise

Black sun rising
New day dawning
I'm defying
I'm destroying

We are on the same high you and I
Open on the same page no sunrise

Tender talons
Chase horizons
Masquerading
Black sun rising

We are on the same high you and I
Open on the same page no sunrise

Silent movers
Up and towards them
Perfect timing
Hello morning

We are on the same high you and I
Open on the same page no sunrise

Sun is fading
Darkness falling
New day dawning
Last sun rising

We are on the same high you and I
Open on the same page no sunrise

We are on the same high you and I
Open on the same page no sunrise

We are on the same high you and I
Open on the same page no sunrise
top


Destroy Everything You Touch

Destroy everything you touch today
Destroy me this way
Anything that may desert you
So it cannot hurt you

You only have to look behind you
At who's underlined you
Destroy everything you touch today
Destroy me this way

Everything you touch you don't feel
Do not know what you steal
Shakes your head
Takes your gun
Walks you out of the sun

What you touch do not feel
Do not know what you steal
Destroy everything you touch today
Please destroy me this way

Destroy everything you touch today
Destroy me this way
Anything that may delay you
Might just save you

You only have to look behind you
At who's underlined you
Destroy everything you touch today
Destroy me this way

Everything you touch you don't feel
Do not know what you steal
Shakes your head
Takes your gun
Walks you out of the sun

Once you touch do not feel
Do not know what you steal
Destroy everything you touch today
Please destroy me this way

Everything you touch you don't feel
Do not know what you steal
Shakes your head
Takes your gun
Walks you out of the sun

Once you touch you don't feel
Do not know what you steal
Destroy everything you touch today
Please destroy me this way

Everything you touch you don't feel
Do not know what you steal
Shakes your head
Takes your gun
Walks you out of the sun

What you touch you don't feel
Do not know what you steal
Destroy everything you touch today
Please destroy me this way
top


International Dateline

Woke up in the evening
To the sound of screaming
Through the walls it was bleeding
All over me

Untied and weightless
Unconscious as we cross
The international dateline
Let's end it here

Grown tired of the show-coast
And then as we toast
There are all zeros
Around here

Untied and weightless
Unconscious as we cross
The international dateline
Let's end it here

Let's end it here
Let's end it here
Let's leave it here
Let's leave it here

Woke up in the evening
To the sound of screaming
Through the walls it was bleeding
All over me

Untied and weightless
Unconscious as we cross
The international dateline
Let's end it here

Let's end it here
Let's end it here
Let's leave it here
Let's leave it here
top


Soft Power

Broken glass is luxury
Friendly fires are alchemy
Daylight is the enemy
Witching hour, soft power.

We're not sleeping at the wheel.
The wheel is turning the machine
that kills for us.

Close your eyes, so you're not seen
in Valentine's daydream.

We're not sleeping at the wheel
The wheel is turning the machine
that kills for us.

The hourglass of the forests
Setting fire to the tourists.

We're not sleeping at the wheel.
The wheel is turning the machine
that kills for us.

Broken glass is luxury
Friendly fires are alchemy
Daylight is the enemy
Witching hour, soft power.
top


CMYK

[Instrumental]
top


amTV

Films will come and films will go,
that kiss on your neck won't show

Posing in the same place everytime,
When your still speaking in the sunshine

Watching TV at 4 am
But that's not when she needs a friend
Staring at the bathroom floor
Please don't say you've got to go

Posing at the same place to put things right.
In your eyes, we're meeting in the morning light

You've done it again, you've done it before
That kiss on your neck won't show

Watching TV at 4 am
But that's not when she needs a friend
Staring at the bathroom floor
Please don't say you've got to go

Watching TV at 4 am
But that's not when she needs a friend
Loose change from your pocket on the floor
Please don't say you've got to go

Cheap thrills that this time I clasp
Cheap thrills that you'll dream about

You've done it again, you've done it before
That kiss on your neck won't show

Watching TV at 4 am
But that's not when she needs a friend
Staring at the bathroom floor
Please don't say you've got to go

Watching TV at 4 am
But that's not when she needs a friend
Loose change from your pocket on the floor
Please don't say you've got to go

(Electronic Voice)
Level 1
top


Sugar

("sugar" whispered and panned across the guitar intro about eight times)

If I give you sugar, will you give me something elusive and temporary?
If I give you sugar, will you give me something elusive and temporary?
We've got the signal to leave you alone,
Alone's where we leave you, alone's where we find you.
If I give you sugar, will you give me something elusive and temporary?

If I give you sugar, will you give me something elusive and temporary?
If I give you sugar, will you give me something elusive and temporary?
We've got the signal to leave you alone,
Alone's where we leave you, alone's where we find you.
If I give you sugar, will you give me something elusive and temporary?

If I give you sugar, will you give me something elusive and temporary?
If I give you sugar, will you give me something elusive and temporary?
We've got the signal to leave you alone,
Alone's where we leave you, alone's where we find you.
If I give you sugar, will you give me something elusive and temporary?
top


Fighting in Built Up Areas

(Bulgarian lyrics)

Zavarshva
Proletta ne chakam
Mostat e zatvoren
Pushyek ne vidya, a oganyat goreshe
Slantseto izstina, nishto ne zapalzva
Pushek ne vidya, a oganyat goreshe

Pushek ne vidya, a oganyat goreshe
Relsite se slivat
Patyat pak izchezva
Pushek ne vidya, a oganyat goreshe

Zavarshva
Zashtoto zashto... zavarshva (3x)

Sedna da vecheryash, dumi ne razmenyash
Pushek ne vidya, a oganyat goreshe
Symna pak blesteshe... ne razmenyash
Pushek ne vidya, a oganyat goreshe
Prasti v dzhoba kriesh, dumi ne razmenyash
Pushek ne vidya, a oganyat goreshe
Syanka v slance tarsish
Syankata namirash
Pushek ne vidya, a oganyat goreshe

Zavarshva
Zashtoto zashto

Zashtoto zashto... zavarshva
Zashtoto zashto... zavarshva, zavarshva (2x)
Zashtoto zashto... zavarshva, zavarshva, zavarshva
Zashtoto zashto... zavarshva, zavarshva (4x)
Zashtoto zashto... zavarshva

Zashtoto zashto
Zashtoto zashto... zavarshva


(English translation)

It's over
I'm not waiting for the spring
The bridge is closed
No smoke seen but the fire's burning
The sun is rising but nothing's lightened
No smoke seen but the fire's burning

No smoke seen but the fire's burning
The rails flow together
The road is disappearing again
No smoke seen but the fire's burning

It's over
For what... it's over (3x)

You sat to have a dinner, but you don't throw a world
No smoke seen but the fire's burning
It dawns, it shines again... you don't throw...
No smoke seen but the fire's burning
You hide fingers in your pocket
No smoke seen but the fire's burning
You seek a shadow on the sun
You find the shadow
No smoke seen but the fire's burning

It's over
For what

For what... it's over
For what... it's over, it's over (2x)
For what... it's over, it's over, it's over
For what... it's over, it's over (4x)
For what... it's over

For what...
For what... it's over
top


The Last One Standing

Merging away,
like we did yesterday
wrong direction
The traffic we'll know,
the traffic is slow and thoughtless
The wheel that is still,
on the concrete and green,
away home
And it is alone,
a division unknown,
a split decision

Climbing the floors,
and I'm not running
Through revolving doors,
and you're not driving
The barrier stands,
between your hands and me,
Sorry

You said I made,
you said you said I made,
a bad decision
Said I made a mistake
Fatal without the recognition
But how would we know,
know of that consequence,
had I forseen
Our California hates,
had I not been

Closing the doors,
and I am running
Past video stores,
and you are driving
A barrier stands,
between your hands and me,
Sorry

You have got to be the last one standing (3x)
Ahhhhh Ahhhhh

You have got to be the last one standing (3x)
Ahhhhh Ahhhhh

You have got to be the last one standing (3x)
Ahhhhh Ahhhhh
top


Weekend

When they come out to find you
And they cannot describe you
Someone somewhere has to buy you out of your weekend

Friday is the fever
And Monday the destroyer
You are a permanent feature
Perpetual weekend

And on the wire in the morning, there's a city growing in my head
Where there is no weekend

When they come out to find you
And they can multiply you
Someone's been caught in the crossfire
Of your weekend

Friday is the teacher
And Monday the tormentor
You are a new kind of creature
Perpetual weekend

And on the wire in the morning, there's a city growing in my head
Where there is no weekend

You took the end
You took the end out of the weekend

You are a permanent feature
You are a new kind of creature

You took the end
You took the end out of weekend
top


Beauty*2

I sent you out to play last night
The alarms went off at three
Funny how I'm not laughing now
Loneliness a guarantee

I sent you out to play last night
The alarms went off at three
Funny how I'm not laughing now
He's not coming home to me

I sent you out to play last night
The alarms went off at three
Funny how I'm not laughing now
He's not coming home to me

Try to get out of the lease
And to move out of love
If only there was no consequence
I'd watch it all turn to dust

Hey can I go with you, my beauty number 2?
Hey can I go with you, when the rendez-vous' over?
It's over

Hey can I go with you, my beauty number 2?
Hey can I go with you, when the rendez-vous' over?

(Hey can I go with you, my beauty number 2, my beauty number 2, his beauty number...)
(Hey can I go with you, when this rendez-vous', when this rendez-vous', when the rendez-vous'...)
(When the rendez-vous' over)
(It's not over)
(No, it's not over)
top


Whitelightgenerator

Hold like our own video
What luck to have another turn
High in Victorian England
Away from the smoke and the fire

The mirror you'll see,
Has a memory, special feature

It's falling on you from above
The walker is under the cloud
Out sound like a two minute warning
Falling on you from above

The mirror you'll see,
Has a memory, special feature

The picture you'll see, infatuates me
The mirror you'll see, has a memory

Sisters when hit by the lightning
Wouldn't we talk under these

The mirror you'll see,
Has a memory, special feature

The picture you'll see, infatuates me
The mirror you'll see, has a memory, special feature
top


All the Way...

They heard the sound of the snow falling
They left the house, and started running
They ran past the street where they flout their lines
Where chemistries slowly redesigned

All the way, the calender froze on even number
Kat caught the tones of the cold corner
All the way, they could see it going
All the way

Is temperature, fahrenheit sanction
A transparent sound, mapping distraction
All the way, it would be forever
All the way

All the way, they heard the sound of the snow falling
They left the house and started running
I'm gonna let you know when it's time to be leaving
Don't run, the same goes for company this evening

You come here and I disappear
Some how I see, something I fear
Maybe we'll make someones souvenir
All the way, they heard the sound of the snow falling
top



Ladytron - Velocifero

Velocifero


Black Cat

(Bulgarian lyrics)

Slushai me
Uniniyata zabravi
Chui, za sinite skali si pripomni
Nov pat vseki den napred nameri
Kak obichashe da se katerish
Kotkata v orel dnes prevarni
(Utro moe...)
Izvan kartata da izleti
(Utro moe...)
S badeshteto si ako igraesh,
(Utro moe...)
Da e ot men

Slushai me
Uniniyata zabravi
Chui, za sinite skali si pripomni
Nov pat vseki den napred nameri
Kak obichashe da se katerish
Kotkata v orel dnes prevarni
Izvan kartata da izleti
S badeshteto si ako igraesh,
Realno i valshebno


(English translation)

Listen to me
Forget the opinions
Hear, remind yourself of the blue cliffs
Everyday find a new course forward
How you used to love to climb
Today transform the cat into an eagle
(my morning...)
To fly outside the map
(my morning...)
If you play with your future
(my morning...)
May it be of me

Listen to me
Forget the opinions
Hear, remind yourself of the blue cliffs
Everyday find a new course forward
How you used to love to climb
Today transform the cat into an eagle
To fly off the map
If you're going to play with your future,
Real and magical
top


Ghosts

In the first days of the spring time
Made you up and split from one thousand enemies
Made a trail of, of a thousand tears
Made you a prisoner inside your own secrecy

There's a ghost in me
Who wants to say "I'm sorry"
Doesn't mean I'm sorry

At the first hour of the springtime
Made you up and split from one thousand enemies

Now I see you from the corner
Clock strikes
And I know you will be drinking alone

There's a ghost in me
Who wants to say "I'm sorry"
Doesn't mean I'm sorry.
top


I'm Not Scared

January clipped your wires
The summer went straight through your tires
Every faded sign that passed you
Used to point the way towards you
Lately you've come to enjoy the generosity of strangers
The mechanisms you imply
And you've gone, you know that I'm not scared to go home
We have got to know, know that I'm not scared to go home

Instruments they leer towards you
Every fallen stone that passed you
Used to form a wall around you
Maybe you've come to rely on the generosity of strangers
The mechanisms you imply
You've gone, you know that I'm not scared to go home
We have got to know, know that I'm not scared to go home

January clipped your wires
The summer went straight through your tires
Every faded sign that passed you
Used to point the way towards you
Lately you've come to enjoy the generosity of strangers
The mechanisms you imply

You've gone, you know that I'm not scared to go home
We have got to know, know that I'm not scared to go home
to go home (4x)
top


Runaway

Every new day that you start
plans the minute you're flagging your heart
where you waking up today
my little runaway

every red eye that you cross
makes the next feel serious
where you waking up today
my little runaway (4x)

every silver shell that you crush
will be enough
where you gonna sleep today
my little runaway

when you feel like everyone
wants to kill the unicorn
where you waking up today
my little runaway (x16)
top


Season of Illusions

Obliterate the Sunday you've been cherishing all week
Obliterate the Sunday, he's a pleasure you can keep
I thought you'd let me speak today
But Esperanto's out of date
It's just another Sunday
Now Top of the Pops is dead

And if the morning gets you down
And then the evening lets you down
Obliterate the Sundays, fair play.

Obliterate the Sunday
Just keep your phone awake
Supposing wrong intentions won't make it easier to wake.

A season of illusions
A pocket full of doubts
A night of fading stars and a legacy of clouds

Obliterate the Sunday
The glass is out of reach
The heat was low, relief, you'll find a palm tree in your sleep.

Your hiding for months
Dodging the seas
You spent the day scheming
And you're a Houdini
Train has pulled out
Light has pulled in
A chance of escape
Come right up the street.

Obliterate the Sunday
You've been cherishing all week
Obliterate the Sunday
He's a pleasure you can keep

Season of illusions
Pocket full of doubts
Night of fading stars and a legacy of clouds

And if the morning gets you down
And then the evening lets you down
Obliterate the Sunday, fair play.

Your hiding for months
Dodging the seas
You spent the day scheming
And you're a Houdini
Train has pulled out
Light has pulled in
A chance of escape
Come right up the street
top


Burning Up

I wrote a protest song about you, about you
Set off on a long march without you, without you (2x)

I wrote a protest song about you, about you
about whats left that lies between us, I'm walking
so many things we're burning for

I set myself on fire without you, without you
I wrote a song about you, about you
that not a soul was meant to hear, except you

I wrote a protest song about you, about you
I cheated gravity to chase you, to chase you
and through the burning space between us, you're falling
you have a long way to fall

I set myself on fire without you
I wrote a song about you, about you
that not a soul was meant to hear, except you

so many things we're burning for (7x)
top


Kletva

(Bulgarian lyrics)

Kylna se, nikoga da ne
zabravjam teb,
s kogoto pet godini
vsichko sym delil.
Kylna se, popadne li
v beda edin ot nas
da mu podam ryka (x2)
i v losh za mene chas. (x2)

Kylna se, popadna li
v beda da ne predavam,
prijatelskite greshki
da proshtavam.
Kylna se vyv Djavola
i v Boga
da storja az za teb
kakvoto moga!
Zakleh se! (x4)


(English translation)

I swear, never to
forget you,
with whom I shared everything
for five years.
I swear, if anyone from us
falls into trouble,
to lend a hand (x2)
even in bad times for me. (x2)

I swear, if I fall into trouble,
to never surrender,
to forgive
mistakes by friends.
I swear in the name of the devil
and God
to do for you
all that I can!
I swore! (x4)


Note: "Kletva" (which means "oath") is a cover of a song from a solo album by Kiril Marichkov of Bulgarian rock band Shturtzite.
top


They Gave You a Heart, They Gave You a Name

They gave you a heart
They gave you a name
Released to the wild
With no one to tame
You need a place to disappear
That's why you're here
Escapeless dreams
I keep climbing off the floor
(They gave you a heart)
Lay down beside me
(They gave you a name)
They've been knocking at your door
(They gave you a heart)
Lay down beside me
(They gave you a name)
Lay down beside me
Lay down beside me

They gave you a heart
They gave you a name
Released to the wild
With no one to tame
You need a shape for your fear
Thats why you're here
Escapeless dreams
I keep climbing off the floor
(They gave you a heart)
Lay down beside me
(They gave you a name)
They've been knocking at your door
(They gave you a heart)
Lay down beside me
(They gave you a name)
Lay down beside me (3x)
top


Predict the Day

Predict the day you wanted to get away
A second chance is calling for you
Predict the day you wanted to get away
No second chance is calling for you

Predict the day you sentence your enemies
Don't look away they're coming for you
Predict the day you're bathing in victory
A second chance had fallen for you

Predict the day the night's never ending
As shattered falls darken your face
I never thought
I didn't think twice
I never thought
(6x)
top


The Lovers

We're the silence that wakes you day
We're the sound of your name outside the room
We're the sirens across the street
Where the lane, it becomes an avenue

Oh, we're right under your nose
We're the lovers that you don't know
Baby, we go, and you follow
We are the lovers, the lovers you don't know

We're the lovers that you don't know
We're the sound of your name outside the room
We're the sirens across the street
Where the lane it becomes an avenue

Oh, we're right under your nose
We're the lovers that you don't know
Baby, we go, and you follow
We are the lovers, the lovers you don't know

Oh, we're right under your nose
We're the lovers that you don't know
Baby, we go, and you follow
We are the lovers, the lovers you don't know
top


Deep Blue

Deep Blue I wanna take you to the sun,
In the power station at the heart of town,
I saw it on the news the other day,
Let's go and play before they take it down.

Deep Blue I wanna give it all to you,
Deep Blue I know that scares you.

Deep Blue lets get a train out of town,
To a place that's easier to get around,
To a place that's easier to get along,
To pretend to be strong Deep Blue.

Deep Blue I wanna give it all to you,
Try and make you laugh Deep Blue.
Deep Blue I know that scares you,
Try and find your smile,
Deep Blue.

Holidays lead you astray,
When you make them last more than a day,
Starting with a smile then that fades away,
Don't stay another day Deep Blue.

Deep Blue I wanna give it all to you,
Try and make you laugh Deep Blue.
Deep Blue I know that scares you,
Try and find your smile,
Deep Blue.

Deep Blue I wanna give it all to you,
Deep Blue I know that scares you.
Deep Blue I wanna give it all to you,
Deep Blue I know that scares you.
top


Tomorrow

I don't hate you or want you enough to wake you
There's a crack in the window, return of the key in ignition

So if you freeze tomorrow come back lucky
We said as your eyes were closing

There's a crack in the window, return of the key in ignition
But I don't hate you or want you or celebrate you

So if you freeze tomorrow come back lucky
We said as your eyes were closing
So if you freeze tomorrow come back lucky
We said as your eyes were closing

But I don't hate you or want you enough to wake you

So if you freeze tomorrow come back lucky
We said as your eyes were closing
So if you freeze tomorrow come back lucky
We said as your eyes were closing

We said as your eyes were closing
We said as your eyes were closing
We said as your eyes were closing
We said as your eyes were closing

So if you freeze tomorrow come back lucky
top


Versus

Distance versus time, cutting verses down to size
Focus versus tears versus "How did I get here's" versus curses in your eyes
Force of nature versus range, nature versus "That is strange"
"There's a fire starting here" versus "There's nothing to fear" versus lonely versus safe
Like a kitten versus rain
A cathedral versus love versus shame
Free versus out to sea, versus, versus, versus me versus me

Distance versus time, cutting verses down to size
Focus versus tears versus "How did I get here's" versus curses in your eyes
Force of nature versus range, nature versus "That is strange"
"There's a fire starting here" versus "There's nothing to fear" versus lonely versus safe
Like a kitten versus rain
A cathedral versus love versus shame
Free versus out to sea versus, versus, versus me versus me
top



Ladytron - Gravity the Seducer

Gravity the Seducer


White Elephant

Surrender with me, we're walking in our sleep
and won't come around for you
leave the story at the shore, in case you thought it done
and yes it is, we are submarines

now, surrender with me, 'cause we're walking in our sleep
and won't come around
hey, put our pistols down, and crawl along the ground,
where we won't, won't be found

surrender with me, and bring your violin,
and photographs, and some brass rings
for when we're breaking stones
the only things we know are tigers eyes and wasp stings

now, surrender with me, 'cause we're walking in our sleep
and won't come around
hey, put our pencils down, and crawl back under ground,
where we won't, won't be found

now, surrender with me, 'cause we're walking in our sleep
and won't come around
hey, put our pistols down, and crawl along the ground, where
we won't, where we won't, won't be found
top


Mirage

Footsteps cross the schoolyard, holding hands with a mirage
you don't listen, you do not exist
mute of all suggestions, the broken doll in question
through shattered mirror, empty caravel

you, mirage mirage, that sings to me
or maybe stopped hearing, you do not exist

two tracks through the desert, sad eyes, little puppet
you don't listen, you do not exist
happy not to notice, the room, the traps, the focus
where you cannot see reflections from within

you, mirage mirage, that sings to me
or maybe stopped hearing, you do not exist

or maybe stopped hearing...
holding hands with a mirage
holding hands with a mirage
holding hands with a mirage
holding hands with a mirage

holding hands with a mirage
holding hands with a mirage
holding hands with a mirage
holding hands with a mirage
top


White Gold

Back from the window
everything's subtle
temporary sanctuary

look through the window
everything's subtle
tallored to fit, but nothing's that simple

gold, you'll aways come to me with the power of deception
gold won't ever comfort me
the colour of deception
the colour of deception

move closer
subterfuge

illusion's there for all to see
there's no one left to rescue me
glass and stone, it cuts like a knife
and gold won't ever comfort me

gold, you'll aways come to me with the power of deception
gold won't ever comfort me
the colour of deception
the colour of deception
top


Ace of Hz

Ace on an unbroken line, ace of hearts
mariner of the time, another ace of hearts
sweet procession of cards that you take
from each victoria box that you break

you break the ace of hearts that break too much
the hearts that cannot be refused on your watch
break the ace of hearts

shed your clothes shed your name, ace of hearts
aces among the tame, another ace of hearts
hearts to make yourself free, yes, you will
make free of the cities where time stands still

you break the ace of hearts that break too much
the bombs that cannot be defused by your touch
break the ace of hearts
break aces of hearts
break all aces of hearts

break the ace of hearts
break aces of hearts
break all aces of hearts
top

Ritual

[Instrumental]
top


Moon Palace

A stolen kiss, a moment to run free
The veil drops in an instant to reveal
A flashback, a postcard from a distant dream

Moon palace
On a frozen sea

The serpent sea is calling out your name
The serpent sea is calling you again
The serpent sea has landed and is crashing at your feet

As city canyons fade into the night
A jagged landscape in a sodium haze
Breaks away from the sky
To shelter sparkling eyes
A stolen kiss sends electricity
It trips a switch for a moment to reveal
A vision, a picture of a shared dream

Moon palace
On a frozen sea

The serpent sea is calling out your name
The serpent sea is calling you again
The serpent sea is calling out your name
The serpent sea has landed and is crashing at your feet
The serpent sea is calling out your name
The serpent sea is calling you again
The serpent sea is calling out your name
The serpent sea is calling out your name
The serpent sea is calling you again
The serpent sea has landed and is crashing at your feet

Moon palace
On a frozen sea
top


Altitude Blues

thirty seven thousand feet, broken in a heartbeat
this air supply, an elixir

to the sea, the singing sands
this air supply, an elixir
late september, echoes of spring
thirty seven thousand feet, broken in a heartbeat

to the sea, the singing sands
broken in a heartbeat, broken in a heartbeat
top


Ambulances

if I should ever let you go
i'll never want to know
oh way

inside, a sudden loss of air
confessions in despair
oh why
oh why
this love is whispering
as distant sirens ring
goodbye

and I should never get the chance to let you know
listen to me now, how we loved you so
the first time, the last time a lifetime ago
fallen, you were calling, you, it's time to go

if I should ever let you go
i'll never want to know
oh way

if I should ever let you go
i'll never want to know
oh way

fallen, you were calling, you, it's time to go
fallen, you were calling, you, it's time to go
top


Melting Ice

Sailing to a distant port
to meet your reflection on some desert shore
running up to the coast
I walk through a mirror and out of your ghost

hide you, not seek you or free here I must
before you can melt down my iceberg or trust

passing clouds hold on to shadows
melting ice leaves nowhere to go

Sailing to a distant port
to meet your reflection on some desert shore
I tried to keep your heart
burning down bridges to break from the past

hide you, not seek you or free here I must
before you can melt down my iceberg or trust

passing clouds hold on to shadows
pouring light on ancient shipwrecks
passing clouds hold on to shadows
melting ice leaves nowhere to go

driving through the rain
I sold all my wishes to play the odd game

hide you, not seek you or free here I must
before you can melt down my iceberg or trust

passing clouds hold on to shadows
melting ice leaves nowhere to go

passing clouds hold on to shadows
pouring light on ancient shipwrecks
passing clouds hold on to shadows
pouring light on ancient shipwrecks
passing clouds hold on to shadows
melting ice leaves nowhere to go
top


Transparent Days

[Instrumental]
top


Ninety Degrees

Ninety degrees in the shade, the shade that stretches forever
over black everglades, crystallised and circled with flames of the summer
I don't know where you've been, out on the sand with medusa,
and not busy with fighting gravity, the seducer

go now and look out your window, go now and look out your window
tonight belongs to you

Ninety degrees in the shade, the shade that's woven around us
woven over and out, outside and in, within which they'll never find us

I don't know where you've been, out on the sand with medusa,
and not busy with fighting gravity, the seducer

go now and look out your window, go now and look out your window

tonight belongs to you, I hope there's some to share
tonight belongs to you, I hope there's some to share
silent conqueror of the night
top

Aces High

[Instrumental]
top



Ladytron - Ladytron

Ladytron


Until the Fire

Until the fire, turns to desire
Until the fight, becomes daylight

Oh we hang on the wire, and the walls get higher
Just until the fire, catches them
Oh we hang on the wire, and the walls get higher
Just until the fire, catches them

Until the fire, turns to desire
Until the fight, becomes daylight
Phantom soldier, no surrender, of your splendour

Oh we hang on the wire, and the walls get higher
Just until the fire, catches them
[4x]

Oh we hang on the wire, and the walls get higher
Just until the fire, catches them
[4x]

Note: Helen Marnie actually sings "catches them" even if in the official booklet it's written "turns to them".
top


The Island

Farewell, farewell dreams we once knew
Farewell, farewell to you and you
People, people in lost and found
People, people we've hit the ground

Falling fast, falling harder
Falling faster and harder the chains that bind us
Symptomatic departure
Symptomatic our heavenly future
Calling out, call protection
Calling out, calling out to the hand that blinds us
Make it count, make it alive
Make it count, make it out, this is dangerous

Poisoned paradigm
We are savages
Give them your poison lips
Broken wires, ghetto souls
Conflicted, calculated architects
Echo a new direction
Faith, lust, desire
We are sirens of, of the apocalypse
Poisoned paradigm
We are savages
Give them your poison lips

Welcome, welcome your gory bed
Welcome, welcome to the island
Glory, glory begin again
Glory, glory in betrayal

Falling fast, falling harder
Falling faster and harder the chains that bind us
Symptomatic departure
Symptomatic our heavenly future
Calling out, call protection
Calling out, calling out to the hand that blinds us
Make it count, make it alive
Make it count, make it out, this is dangerous

Poisoned paradigm
We are savages
Give them your poison lips
Attitudes, privilege,
Without regret
A hazard lost at sea
A toxic intuition
Faith, lust, desire
We are sirens of, of the apocalypse
Poisoned paradigm
We are savages
Give them your poison lips
Poisoned paradigm
We are savages
Give them your poison lips
Poisoned paradigm
We are savages
We are savages


Tower of Glass

I only came here for the view
A stow-away in an elevator
Half a step ahead of you
And far faster than the flight of a scream

Reverse shadow, dim lantern
I'm your favourite apparition
That makes your ears and fingers burn
I am your amnesiac kingdom

Falling from your tower of glass
Falling from your tower of glass
Falling from your tower of glass

Tower of glass
Tower

Spell turned on a sorcerer
An inland sea swept up below you
And rose with every passing hour
Until there was only one way to fall

Falling from your tower of glass
Falling from your tower of glass
Falling from your tower of glass

Falling from your tower of glass
Falling from your tower of glass
Falling from your tower of glass

Climbing your tower of glass, climbing, climbing
Climbing your tower of glass, climbing, climbing
Climbing your tower of glass, climbing, climbing
Climbing your tower of glass, climbing, climbing
Climbing your tower of glass
Climbing your tower of glass

Far From Home

We wave bye bye to the city
Its rarity, and energy
From the East is how we'll come
Just like the sun as it breaks the canopy

The weaponry, ideas, flames, and reverie
For when the rays cut through the calm, with no alarm
Just a sense of something

On the way
We're O.K.
Safe and sound
Far from home

South is where we'll be
Unfamiliar and free
In the West is where we'll rise
Just like the smoke as it starts to hurt our eyes

Their weaponry, their lead and steel, and verdigris
To protect what they don't know, so far below
They think we got caught

A world away
We're O.K.
Safe and sound
Far from home
[2x]


Paper Highways

We sleepwalk into fire
A cloud of doubt just passed us by
We hide the truth behind a screen
This fire won't burn my dream

Weightless you were dreaming
When you wake don't forget
This world keeps turning
If the sun sets to the West

They put their trust in tarot cards
New Age of Reason proved us right
Suspicion drives as nature screams
This fire won't burn my dream

Weightless you were dreaming
When you wake don't forget
This world keeps turning
If the sun sets to the west
[2x]

Burning it keeps turning
If the sun sets to the West
[2x]

And if the world should stand still
There won't be much left to say
I'll find the next rugged hill
And let the wind blow your name away

Weightless you were dreaming
When you wake don't forget
This world keeps turning
If the sun sets to the West
[2x]

Burning it keeps turning
If the sun sets to the West
[4x]


The Animals

There's no wrong, there's no God
There's no harm, there's no love
We are more like you
Than the ones that you knew

Phantom road, erased address
Duplicate queen, dismantled cross
We are more like you
Than the ones that you knew

Is it that we know we are animals
Or because to them we are animals
You're inventing words for defending me
While lined up to shoot for the enemy
While lined up to shoot for the enemy
You're inventing words for defending me
It's because to them we are animals
Or because we know we are animals

Concrete soul, machine-read heart
Poison creed, primate savant
We are more like you
Than the ones that you knew

Is it that we know we are animals
Or because to them we are animals
You're inventing words for defending me
While lined up to shoot for the enemy
While lined up to shoot for the enemy
You're inventing words for defending me
It's because to them we are animals
Or because we know we are animals
[2x]

There's no wrong, there's no God
There's no harm, there's no love
We are more like you
Than the ones that you knew
top


Run

I hunt, I hide, I run
I hunt, I hide, and I run
I hunt and I hide, I hide
I hunt and I hide
And I run
[2x]

Stop looking at me with a gun in your hand
[6x]
top


Deadzone

Through shattered glass there's headlights
I swear I died and came back to life
Maybe as someone else
For better, for worse, I'm forever changed
Abandoned lives on stereo
Talking all night about what they know
But maybe this horror show
Advice is the price that the people pay

Through shattered glass I see it coming
I can't hold back, my body's aching
For this
For this

You ain't got no right, you ain't got no right
You are not my saviour
Wake me up tonight, wake me up tonight
Baby I'm in danger
You are not my ride, you are not my ride
I won't go gently
I don't like you, I don't want to
I'll remind you

You won't win this fight, you won't win this fight
I'm the wrong girl on the wrong night
Visions haunt my mind, visions haunt my mind
Wild dreams or an omen?
You ain't got no right, you ain't got no right
So don't coming knocking with your night moves
My resistance is your weakness

Vibrations soar through my bones
Am I a bird now? Am I atoned?
Maybe. Or something else
The purr of the flames, I can't get away
Unnatural world with no echo
Have I become immaterial?
Maybe. My blood still flows
For better, for worse I'm forever changed

You ain't got no right, you ain't got no right
You are not my saviour
Wake me up tonight, wake me up tonight
Baby I'm in danger
You are not my ride, you are not my ride
I won't go gently
I don't like you, I don't want to
I'll remind you

You won't win this fight, you won't win this fight
I'm the wrong girl on the wrong night
Visions haunt my mind, visions haunt my mind
Wild dreams or an omen?
You ain't got no right, you ain't got no right
So don't coming knocking with your night moves
My resistance is your weakness

Don't coming knocking with your night moves
My resistance is your weakness
[12x]
top


Figurine

Strange days and celebrations
A soft warning, are we drowning?
Late night congratulations
Eyes wide: we're enchanting
Party fears and declarations
I've got something I want to tell you
Lost trails of conversation
I want you to break me out

How does it feel?
This true, true, coming dream
I will hold you tight
My figurine

Party fears and declarations
Heart is pounding, are we surrounded?
Room full of aspirations
True lies: are we dreamers?
All bound to expectations
Cannot help it, the lucky ones
Strange days and celebrations
I want you to break me out

How does it feel?
This true, true, coming dream
I will hold you tight, my figurine
True coming dream
Dreams for protection
Blow those candles out, another year

How does it feel?
This true, true, coming dream
I will hold you tight, my figurine
True coming dream
Dreams for protection
Blow those candles out, another year
How does it feel?
This true coming dream?
There's no place for me
Me without you
top


You've Changed

You've changed, what were you thinking?
You've changed
You've changed

Girl buys a dress
So bored
Repetitive, your greed
A confidante all gone
So take a bow
Too far

You've changed, what were you thinking?
You've changed
[2x]

So now you're a mess, oh no!
Come take me on, you'll lose
It's your happiness, but what's real?
I'll make you sorry, oh yeah!

You've changed, what were you thinking?
You've changed
[2x]
top


Horrorscope

Ballerina palm reader sitting on the stairs
Telling you the future you shouldn't be aware of
[2x]

The seven seas I hear
As blue eyes disappear
You'll cross the hemispheres
And now is always near

In time

In time

Ballerina palm reader sitting on the stairs
Telling you the future you shouldn't be aware of
[2x]

You'll walk the longest pier
The Alpine skies will clear
Riddles never fear
And now is always near

In time

In time

Ballerina palm reader staring at your face
Pupils are dilating, will you find your way
[2x]
top


The Mountain

We woke up on the mountain
Air was clear sun was shining
All we could see was silver
And so we started thinking
Then when we came off the mountain
All of the lanes were static
All expressions were frozen
Over each other's traffic

Second time the dusk was setting
Streets filled with different people
All of them tired and distant
Some of them tried to know us
We had carried our instruments
And hid behind our features
Laughed and joked and hoped that they'd have
They'd have something to show us

At sea in the cities
Alien in the suburbs
Adrift on peripheries
Wake up back on the mountain
[2x]

We went back to the mountain
They spoke a different language
A mess of walls and fences
The mountain we created
Our faces amongst the landed
Except that we were nameless
Only inherited stories
Since we fell off the mountain

Then the mountain came between us
And took away the buildings
We were the half remembered
The only two remaining
Then we knew we were the mountain
You said "I'll do this for you"
Covered what we had broken
Forgot about the mountain

At sea in the cities
Alien in the suburbs
Adrift on peripheries
Wake up back on the mountain
[10x]
top


Tomorrow Is Another Day

How's the water?
The blue pill's for you
Are they poisoning all that's left till you're alone in a dark room
And all is forgiven
Water gone
I will comfort you, my blood

The clock is ticking
But a calm looms over your face like you are not alone
I am your scars frozen and framed
For the good times

A photograph found
Bound by your secrets
Hidden deep with old memories
When you were young and beautiful (Beautiful and free)
Myth and fantasy and fantastic times
I never asked you all the damn things I wanted to
But tomorrow is another day
Tomorrow is, tomorrow is another day
Tomorrow is, tomorrow is another day
Tomorrow is, tomorrow is another day
Tomorrow is, tomorrow is another day

Oh father
Watch him pray for you
Is he comforting distraction?
But there's a boy in the corner
And it is forbidden
You alone, is this earth, is this heaven?

The clock is ticking
But a calm looms over your face like you are not alone
I am your scars frozen and framed
For the good times

A photograph found
Bound by your secrets
Hidden deep with old memories
When you were young and beautiful (Beautiful and free)
Myth and fantasy and fantastic times
I never asked you all the fucking things I wanted to
But tomorrow is another day
Tomorrow is, tomorrow is another day
Tomorrow is, tomorrow is another day
Tomorrow is, tomorrow is another day
Tomorrow is, tomorrow is another day
top



Ladytron - Various songs

Various songs


Olivetti Jerk

Commodore Rock EP (French edition)

[Instrumental]
top


Miss Black

Miss Black and Her Friends EP

[Instrumental]
top


USA vs. White Noise

[Instrumental]
top


Open Your Heart

The Human League cover from Reproductions: Songs of The Human League

Don't let it hurt you baby love to tell you
How they warned you
They say don't be surprised at someone's lies
They think they taunt you
But if you can stand the test
You know your worst is better
Than their best

And so you stand here with the years ahead
Potentially calling
With open heart or with a spirit dead
You walk on

Lies the reason
Faith or treason
Playing a part

End concealing
Try revealing
Open your heart

Dare to feel
Take the chance
Make the deal

Being an island
Trying from trying
Seems the easy way
Such an easy way
But there's no future
Without tears

Lies the reason
Faith or treason
Playing a part

End concealing
Try revealing
Open your heart

Dare to feel
Take the chance
Make the deal

But if you can stand the test
You know your worst is better
Than their best

Lies the reason
Faith or treason
Playing a part
End concealing
Try revealing
Open your heart
[3x]
top

Oops Oh My

Tweet cover from Softcore Jukebox

There goes my shirt, up over my head
Oh My
(Ooops) There goes my skirt, dropping at my feet
Oh My
(Ooops) Some kind of touch, caressing my face
Oh My
(Ooops) I'm turning red
Who could this be?

Tell you what I did last night, I came home, say about a quarter to three
Still so high
Hypnotized
In a trance
From the start it, so butter and brown and tantalizing
You woulda thought I needed help, from this feeling that I felt
So shook I had to catch my breath

(Ooops) There goes my shirt up over my head
Oh My
(Ooops) There goes my skirt, dropping at my feet
Oh My
(Ooops) Some kind of touch, caressing my face
Oh My
(Ooops) I'm turning red
Who could this be?

I tried and I tried to avoid but this thing was happening
Swallow my pride
Let it ride, and party
But this body felt just like mines and
I got worried
I looked over to the left
A reflection of myself
That's why I couldn't catch my breath

(Ooops) There goes my shirt, up over my head
Oh My
(Ooops) There goes my skirt, dropping at my feet
Oh My
(Ooops) Some kind of touch, caressing my face
Oh My
(Ooops) I'm turning red
Who could this be?
[3x]
top


Nothing to Hide

Extended Play EP

[Bulgarian lyrics]

Ako, ako, tarsi zashto,
Ako, ako, i za kakvo.
Ako, ako, nyama zashto,
Ako, ako, i za kakvo.

Ako imashe svetlina, ne bi skasal verigkata
Razgovorat prez noshta, zavarshi igra.
Ako razchisti stayata, ne bi schupil vazata
Razgovorat prez noshta, zaklyuchi vrata.

Ako ne zagubil bil klycha, ne bi ostanal vav studa
Razgovorat prez noshta, zavarshi igra.
Ako, ako,
Razgovorat prez noshta,
Ako, ako,
Za propilenata igra.

Ako, ako,
Za propilenata igra,
Ako, ako,
Nyama nishto za sega.
[5x]


[English lyrics]

If, if, search why,
If, if, and for what.
If, if, there's no why,
If, if, and for what.

If there was light, you wouldn't brake the chain
The talk through the night, ended a game.
If he cleans the room, he wouldn't brake the vase
The talk through the night, locked a door.

If he didn't lose the key, he wouldn't stay out in the cold
The talk through the night, ended game.
If, if,
The talk through the night.
If, if,
For the wasted game.

If, if,
For the wasted game.
If, if,
There's nothing for now.
[5x]
top


Tender Talons

Extended Play EP

[Instrumental]
top


Citadel

Extended Play EP

[Instrumental]
top


Rockfalls & Estuaries

Exclusive song for The Sims 3 game soundtrack

(Performed in Simlish)
top


She Stepped Out of the Car

Exclusive song for The Sims 3 game soundtrack

(Performed in Simlish)
top


Young Etruscians

Exclusive song for The Sims 3 game soundtrack

(Performed in Simlish)
top


Tesla

Exclusive song for The Sims 3: Supernatural game soundtrack

[Instrumental]
top


Use Your Mind

Performed at Yo Gabba Gabba in 2009

How does it work? How does it work?
You can figure out, just how it works
Mysteries can be found.
Lots of fun for everyone.

Slow down, and you will find,
You can do it, if you use your mind.

How does it work? How does it work?
You can figure out, just how it works
Slow down, and you will find,
You can do it, if you use your mind.
Mysteries can be found.
Lots of fun for everyone,
Lots of fun, lots of fun.

Slow down, and you will find,
You can do it, if you use your mind.
Slow down, and you will find,
You can do it, if you use your mind.
Slow down, and you will find,
You can do it, if you use your mind.
Mysteries can be found.
top


Little Black Angel

Best of 00-10

Little black angel as years roll by
I want you to fly with your wings held high
I want you to live by the justice code
I want you to burn down freedom's road

[Repeated 4x]
My little black angel

Oh, lie away
Oh, lie away sleeping
Lie away safe in my arms
Your father, your future protects you
And locks you safe from all harm

Little black angel as years roll by
I want you to fly with your wings held high
I want you to live by the justice code
I want you to burn down freedom's road

[Repeated 8x]
My little black angel
top


Tropic of Capricorn

The Island B-side

[Instrumental]
top